Thesis Students Present at NeuroMusic Conference

On November 10th 2018, all four of the MAPLE Lab’s senior honours thesis students presented their research at the 14th Annual Neuromusic Conference  “Music and Multimedia: From Song to Sonification.” 

(From left to right: Isabella LaMantia, Nic Ballarin, Cam Anderson, Rebecca Benjamin)

This year at NeuroMusic, Isabella presented a poster about her thesis “Personality and Perceived Musical Emotion,” Nic presented about his thesis “The effect of music listening on implicit racial attitudes,” Cam presented about his thesis entitled “Exploring the Effect of Timbre on Melodic Alarm Recognition,” and Rebecca presented about her thesis “Examining the effects of amplitude envelope on alarm recognition in an audio-visual delayed matching-to-sample task.” Well done, thesis students! 

Dr. Schutz gives an invited talk at ECVP

Trieste, Italy

Dr. Schutz has been invited to participate in a special symposium this August at the 41st European Conference on Visual Perception (ECVP).  This symposium is a Festschrift for Dr. Michael Kubovy, a renowned cognitive psychologist interested in the perceptual organization of sight and sound, with a particular focus on the arts. Dr. Kubovy was Dr. Schutz’s PhD supervisor at the University of Virginia, and the conference has invited selected alumni to present at this special event.  

Dr. Michael Kubovy

 

Presenting findings at the International Conference on Music Perception and Cognition

Montreal, QC

 

This year Sharmila and Aimee will both be presenting their work at the 15th International Conference on Music Perception and Cognition (ICMPC), held at Concordia University on July 25-28. Sharmila’s talk is titled “Designing effective auditory interfaces: Exploring the role of amplitude envelope” and it discusses the role of amplitude envelope in improving medical alarms. Aimee’s talk is titled “Exploring the relationship between structural and expressive cues in emotional communication” and outlines her most recent work on how composer- and performer-controlled cues influence listeners’ judgments of perceived emotion in Bach’s WTC.

 

Talk at CSBBCS 2018

St John’s, Newfoundland

  Working in conjunction with the Ryerson SMART Lab, we will be giving a presentation titled “Hearing (and seeing) the beat of a different drummer: Event-related desynchronization in the action observation network” at the 2018 meeting of the Canadian Society for Brain, Behaviour, and Cognitive Science (CSBBCS). This is focused on the latest outcomes of our ongoing work with Dr. Frank Russo and the SMART Lab, and explores the idea that musical understanding is based in part on the brain’s simulation of the movements required to produce musical sounds.  It involved testing dozens of highly trained percussionists and comparing their neural responses to a well known excerpt performed by TSO Principle Percussionist John Rudolph.  

Talk on auditory stimuli and their implication on audio-visual integration at IMRF

Toronto, ON

We will present the latest results of our ongoing survey of sounds project at the 19th Annual International Multisensory Research Forum (IMRF) in downtown Toronto. Dr. Schutz’s talk is titled “Generalizing audio-visual integration: What kinds of stimuli have we been using?” and it will focus in particular on the relationship of the survey project to audio-visual integration research.  The conference also features keynote talks by Dr. Charles Spence (Oxford) and Dr. Ladan Shams (UCLA).     

Poster presented at International Society for Autism Research (INSAR) 2018

  The latest findings of a collaboration with Dr. Laura Silverman of the University of Rochester were presented at the 2018 meeting of INSAR (International Society for Autism Research). This poster, titled “Audiovisual integration abilities in ASD using music-based stimuli”, features a study in which adolescents with ASD were tested on the marimba illusion. Learn more about the stimuli we used here!

Discussion of interpersonal synchronization by expert percussionists at NEST 2018

Storrs, CT

  On April 21st, 2018, Dr. Schutz gave a presentation at the New England Sequence and Timing (NEST) Conference at the University of Connecticut. NEST is a rhythm conference hosted by Edward Large and the Music Dynamics Lab. The title of the talk is “Can professional musicians intentionally desynchronize?  A natural case study of expert percussionists in a natural performance context” and it highlights an important naturalistic drumming study our lab conducted here at McMaster. To see the visualizations used in the study, take a look at our demo by clicking the button on the right.    

The MAPLE Lab is proud to sponsor DOP 2018

London, ON

Percussive Arts Society   On Sunday, April 8th, 2018, Dr. Schutz attended the 2018 Day of Percussion (DOP) hosted by the University of Western Ontario. This year the lineup featured performances by DUO PercussionLarnell Lewis, Rick Lazar of Samba Squad, and more. In previous DOP festivals, Dr. Schutz has also given invited performances and clinics.  This year we are happy to once again support the DOP with our ad (pictured on the right)! Thanks to the Percussive Arts Society (PAS) for yet another fun and educational day!  

Students present their findings at LOVE Conference 2018

Niagara Falls, ON

On February 8th and 9th, the MAPLE Lab attended the 47th annual Lake Ontario Visionary Establishment (LOVE) Conference. Two members of our lab presented posters showcasing their work:

  • Joyce Chan presented a poster on the impact of timing on subjective ratings of musical emotion
  • Sharmila Sreetharan presented a poster on her recent findings regarding the use of amplitude envelope on auditory alarms
 

Maxwell and Joyce present at NeuroMusic

Hamilton, ON

   

On November 18th, Maxwell and Joyce will be presenting their posters at the NeuroMusic Conference held at McMaster University. 

Maxwell’s poster is titled “MAESTRO: A new tool for sound synthesis and observation” based on the auditory software he worked on over the summer.  Joyce is presenting “The impact of timing on musical emotion”. Her study investigates how performer manipulations of tempo affect listener perception of conveyed emotion.