Dr. Schutz publishes an article in Frontiers in Psychology

  Pitch and timing are cues used to convey emotion in both music and speech. This focused review explores how these cues interact with a third musical cue, modality, and what the implications are for creating music that sounds happy or sad. The review is titled “Acoustic constraints and musical consequences: Exploring composers’ use of cues for musical emotion”, and it features a previous paper by Dr. Schutz that was selected as one of the top 100 articles of 2015 (out of 12,000 total submissions)!