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Pitch and timing are cues used to convey emotion in both music and speech. This focused review explores how these cues interact with a third musical cue, modality, and what the implications are for creating music that sounds happy or sad. The review is titled “Acoustic constraints and musical consequences: Exploring composers’ use of cues for musical emotion”, and it features a previous paper by Dr. Schutz that was selected as one of the top 100 articles of 2015 (out of 12,000 total submissions)! |  |
