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Burdick, K., Yang, S., Lopez, A. E., Wessel, C., Schutz, M., Schlesinger, J.J. (2023). Auditory roughness: a delicate balance. British Journal of Anaesthesia, (article in press) https://doi.org/10.1016/j.bja.2023.07.003 |
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Anderson, C. J., Sreetharan, S., Elizondo López, A. E., Schlesinger, J. J., & Schutz, M. (2023). Improving auditory alarms: Reducing perceived annoyance with musical timbre (a randomized trial). Perioperative Care and Operating Room Management, 32, 100332. https://doi.org/10.1016/j.pcorm.2023.100332 |
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Foley, L., Schlesinger, J., & Schutz, M. (2023). Improving detectability of auditory interfaces for medical alarms through temporal variation in amplitude envelope. British Journal of Anaesthesia, 130(3), 351–359. https://doi.org/10.1016/j.bja.2022.10.045 |
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Anderson, C. J., & Schutz, M. (2022). Exploring historic changes in musical communication: Deconstructing emotional cues in preludes by Bach and Chopin. Psychology of Music, 50(5), 1424–1442. https://doi.org/10.1177/03057356211046375 |
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Foley, L., Schlesinger, J., & Schutz, M. (2022). More detectable, less annoying: Temporal variation in amplitude envelope and spectral content improves auditory interface efficacy. The Journal of the Acoustical Society of America, 151(5), 3189-3196. |
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Battcock, A., & Schutz, M. (2022). Emotion and expertise: how listeners with formal music training use cues to perceive emotion. Psychological Research, 86, 66–86. |
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Battcock, A., & Schutz, M. (2021). Individualized interpretation: Exploring structural and interpretive effects on evaluations of emotional content in Bach’s Well Tempered Clavier. Journal of New Music Research, 50(5), 447–468. |
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Kelly, B. O.,Anderson, C. J., & Schutz, M. (2021). Exploring changes in the emotional classification of music between eras. Auditory Perception & Cognition, 4(1-2), 121–131. |
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Foley, L., Schutz, M. (2021). High time for temporal variation: improving sonic interaction with auditory interfaces. IEEE Signal Process. Mag. |
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Bak, K., Chan, G. S., Schutz, M., & Campos, J. L. (2021). Perceptions of Audio-Visual Impact Events in Younger and Older Adults. Multisensory Research, 1(aop), 1–30. |
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Sreetharan, S., Schlesinger, J. & Schutz, M. (2021) Decaying amplitude envelopes reduce alarm annoyance: Exploring new approaches to improving auditory interfaces. Applied Ergonomics, 96. |
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Siminoski, A., Huynh, E. & Schutz, M. (2020). Communicating Through Ancillary Gestures: Exploring Effects on Coperformers and Audiences. Human Technology, 16(3), 257–282. |
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Foley, L., Anderson, C. J., & Schutz, M. (2020). Re-Sounding Alarms: Designing Ergonomic Auditory Interfaces by Embracing Musical Insights. Healthcare, 8(4), 389. |
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Schutz, M. & Gillard, J. (2020). On the generalization of tones: A detailed exploration of non-speech auditory perception stimuli. Scientific Reports, 10, 1–14. |
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Manning, F.C., Siminoski, A. & Schutz, M. (2020). Exploring the Effects of Effectors: Finger Synchronization Aids Rhythm Perception Similarly in Both Pianists and Non-Pianists. Music Perception, 37(3), 196–207. |
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Battcock, A., & Schutz, M. (2019). Acoustically Expressing Affect. Music Perception, 37(1), 66–91. |
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Sreetharan, S., & Schutz, M. (2019). Improving Human-Computer Interface Design through Application of Basic Research on Audiovisual Integration and Amplitude Envelope. Multimodal Technologies and Interaction. |
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Schutz, M., & Stefanucci, J. (2019). Hearing value: Exploring the effects of amplitude envelope on consumer preference. Ergonomics in Design: The Quarterly of Human Factors Applications, 27(1), 16–19. |
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Schutz, M. (2019). Acoustic Structure and Musical Function: Musical Notes Informing Auditory Research. The Oxford Handbook of Music and Neuroscience. Michael Thaut and Donald Hodges, Eds. |
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Schutz, M. (2017). Acoustic Constraints and Musical Consequences: Exploring Composers’ Use of Cues for Musical Emotion. Frontiers in Psychology, 8, 1–10. https://doi.org/10.3389/fpsyg.2017.01402 |
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Manning, F.C., Harris, J., & Schutz, M. (2017). Temporal prediction abilities are mediated by motor effector and rhythmic expertise. Experimental Brain Research, 235(3), 861–871. |
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Schutz, M., Stefanucci, J., Baum, S., & Roth, A. (2017). Name that percussive tune: Associative memory and amplitude envelope. Quarterly Journal of Experimental Psychology, 70(7), 1323–1343. |
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Ng, M., & Schutz, M. (2017). Seeing sound: A new tool for teaching music perception principles. Canadian Acoustics, 45(3), 104–105. |
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Gillard, J. & Schutz, M. (2016). Composing alarms: Considering the musical aspects of auditory alarm design. Neurocase, 22(6), 566–576. |
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Chuen, L., & Schutz, M. (2016). The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cues. Attention, Perception, & Psychophysics, 78(5), 1512–1528. |
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Manning, F. C., & Schutz, M. (2016). Trained to keep a beat: Movement-related enhancements to timing perception in percussionists and non-percussionists. Psychological Research, 80(4), 532–542. |
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Schutz, M. (2016). Clarifying amplitude envelope’s crucial role in auditory perception. Canadian Acoustics, 44(2), 42–43. |
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Schutz, M. (2016). Lessons from the laboratory: The musical translation of scientific research on movement. Cambridge Companion to Percussion. Russell Hartenberger, Ed. |
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Poon, M., & Schutz, M. (2015). Cueing musical emotions: An empirical analysis of 24-piece sets by Bach and Chopin documents parallels with emotional speech. Frontiers in Psychology (Cognition), 6, 1419. |
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Manning, F. C., & Schutz, M. (2015). Movement enhances perceived timing in the absence of auditory feedback. Timing & Time Perception, 3, 3–12. |
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Schutz, M., & Vaisberg, J. (2014). Surveying the temporal structure of sounds used in Music Perception. Music Perception, 31(3), 288–296. |
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Vallet, G., Shore, D., & Schutz, M. (2014). Exploring the role of amplitude envelope in duration estimation. Perception, 43, 616–630. |
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Schutz, M. (2014). Multimodality (sensory integration). In Music in the Social and Behavioral Sciences (Thompson, Bill and Golson, Geoffrey, ed). Thousand Oaks, California: SAGE Publications. [Encyclopedia entry]. |
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Manning, F., & Schutz, M. (2013). “Moving to the beat” improves timing perception. Psychonomic Bulletin & Review, 20,1133–1139. |
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Gillard, J. & Schutz, M. (2013). Exploring melodic structure to increase heterogeneity of auditory alarm sets in medical devices. Journal of Medical Devices, 7(2), 12–13. |
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Schutz, M., & Manning, F. (2012). Looking beyond the score: The musical role of percussionists’ ancillary gestures. Music Theory Online, 18(1), 1–14. |
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Kubovy, M., & Schutz, M. (2010). Causality and Objects in Vision and Audition. Review of Philosophy and Psychology, 1, 41–61. |
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Schutz, M., & Kubovy, M. (2009). Causality and crossmodal integration. Journal of Experimental Psychology: Human Perception and Performance, 35, 1791–1810. |
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Armontrout, J., Schutz, M., & Kubovy, M. (2009). Visual determinants of a cross-modal illusion. Attention, Perception, & Psychophysics, 71, 1618–1627. |
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Schutz, M., & Kubovy, M. (2009). Deconstructing a musical illusion Canadian Acoustics, 37, 23-28. [Invited submission]. |
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Schutz, M. (2008). Seeing music? What musicians need to know about vision. Empirical Musicology Review, 3(3), 83–108. [Invited submission]. |
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Schutz, M., Huron, D., Keeton, K., & Loewer, G. (2008). The Happy Xylophone: Acoustic affordances restrict an emotional palette. Empirical Musicology Review, 3(3), 126–135. |
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Schutz, M., & Lipscomb, S. (2007). Hearing gestures, seeing music – vision influences perceived tone duration. Perception, 36(6), 888–897. |
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Schutz, M. (2002). Computer Aided Analysis of Post Tonal Music. Pittsburgh Undergraduate Review, 9(1), 9–40. ***Winner of the Edythe Portz Prize for best overall submission of 2002*** |